Musician Field Report: A Case for Space

(Remember when we went on a field trip to visit Denver rehearsal spaces? Ian paid extra attention, clever musician that he is. We asked him to write this week’s post about his subsequent experience as a happy shared rehearsal space customer, and to fill us in on why a Fort Collins space is as important as ever for bands … and fans).

I have spent the past 10 years actively playing in the Colorado music scene with two different bands, Wire Faces and The Jimi Austin (RIP). Currently we are in our 10th rehearsal space, which daylights as a drum lesson room that sits directly below office space and an apartment. This equates to limited hours, no amplifiers, and no PA system; when we do rehearse, we plug our guitars and mics directly into an interface that allows us to listen via headphones. Although it works, it certainly does not provide one with the necessary experience needed to prepare for a big, loud show.

The rest of the time, we record in our drummer Shane’s bedroom… it’s very intimate, and he has a blanket with cats all over it and Cinderella pillows, which is nice but somewhat incongruent with a band known to play “wild rock”.

musiciansinbed

Each rehearsal space we have had over the years has ultimately resulted in us either being forced out or choosing to leave under some form of duress. We have never been disrespectful tenants, however generally people don’t want loud music next to their living space or place of business. We’ve practiced in living rooms, basements, storage facilities, and gone long periods of time without any place to play at all, which can get weird. Even if I tried, I could not estimate the number of shows we’ve had to play while forgoing a proper rehearsal, or any rehearsal for that matter. Thus creating a possible increase in pre-show anxiety and a much higher potential for missed notes, forgotten lyrics or chords, stick drops, and other unexpected musical blunders.

Subsequently, I have stumbled into seeing the true benefits of a shared space that charges an hourly rate (it only took me 10 years). Although it can be ideal to have a space in which all of your equipment is set up and ready to go the moment you walk in the room, we haven’t been able to find such a place in well over a year – before that we were usually on some sort of wait list or scouring Craigslist for options because whatever we had at the time was insufficient. But I digress. You get the point.

ampcramp

Fortunately, Wire Faces is currently utilizing RocketSpace Rehearsal Studios and Lesson Space, located in Denver. The space has proven to be extremely convenient, and I am not sure what we would have done without the ability to quickly book a few hours of rehearsal time in order to prepare for a big show. Our most recent experiences at RocketSpace saved collective our Wire Ass; without the availability of an hourly room, we would not have been able to rehearse before our trip to SXSW for the Colorado Music Party, or for our recent show for Red Bull Sound Select with The Joy Formidable and The Epilogues last Tuesday. Since we do not currently have access to facilities in Fort Collins that provide us with what is required for a genuine rehearsal, this has been a fantastic option. The downside: it’s not in Fort Collins.

RocketSpace provides a backline (drum kit, bass and guitar amps, a PA, microphones, and cables) and all we have to do is show up, plug in and play. Each room is retrofitted with professional acoustic sound baffling, adequate lighting, and ample electrical outlets and power strips. Did I mention it’s affordable, and they take credit/debit cards? Well it is, and they do. Funk, mariachi, metal, hip-hop, rock, even guitar and voice lessons are some of the diverse sounds emanating from each of the rehearsal rooms. During our last rehearsal at RocketSpace, a nice gentleman gave us his card and asked if we’d be interested in playing a show with his band because he liked what he heard from the hallway. These rooms not only provide a much-needed working space for musicians, but also cater to the inconsistent nature of a musician’s schedule, while fostering both networking and collaboration.

This is why we, via our support of Cohere Bandwidth, are so driven to create a shared rehearsal space in Fort Collins. Although there are already several locations in Denver somewhat consistent with RocketSpace, a counterpart does not exist in Fort Collins. These existing spaces have proven the business model, as well as the necessary demand; RocketSpace is actually in the process of planning an expansion. So although you may be growing weary of hearing what IS NOT (yet) available in Fort Collins, I’d like to remind you what IS possible. We are not giving up until a quality, affordable, secure, shared rehearsal space exists in the Fort Collins area. Our musicians deserve it, and so do their fans.

~Ian Haygood, field tripper, Cohere Bandwidth co-catalyst, Wire Faces guitarist

 

 

On Tour: Cohere Bandwidth Field Trip to Denver

For anyone out there who thinks that money changes everything, we’ve got news for you: sometimes, it doesn’t. Don’t get us wrong, we’re thrilled to have successfully raised six months worth of rent money to put toward shared rehearsal space for local bands, but we’ve been feeling a little stuck. And then unstuck. And then stuck again. Progress, that saucy wench, is happening in fits and starts, but we still don’t have a confirmed home (even a temporary lab home) for Cohere Bandwidth. And since it’s been nearly two months since we wrapped up our crowdfunding campaign, we are – not gonna lie – starting to freak out just a little.

So what do you do when you feel an itch to get moving, to explore new ideas, to connect, to stretch and grow, to find inspiration outside your own backyard? If you’re a band, you go on tour. If you’re a merry band of stalled-out rehearsal space catalysts, you TAKE a tour. In this case, to our sister city to the south: Denver.

sign

This is what goes on in Denver. *gasp!*

Angel, probably growing weary of the emotional roller coaster of YES!/NO!/MAYBE!/GAH, WHY DOES THIS HAVE TO BE SO HAARRRDD? (sometimes all in the same afternoon) wisely decided to ask for some help, or at least some insight. She reached out to some people who have been there/done that/are still doing it right now, in fact, and arranged for us to meet with Denver rehearsal space owners and managers from RocketSpace, Soundstructure Studios and Francisco Studios. Here’s what we found:

RocketSpace
RocketSpace (2711 Larimer St.) is the result of a ton of hard work, past and present, by owner/operator/guitar-playing-badass Kate Innes (<<she’s the redhead on the left, in your face). RocketSpace rents hourly rehearsal rooms – you can’t store your gear there, but each room is equipped with drums, PA system, microphones, bass rig and guitar cabinets. This means as a musician, you get to show up, practice, and not load too much stuff in and out. Convenient. Yay! It also means, as Kate, that you are in the repair business and the constant scheduling business. Boo! Luckily, she is a real hands-on type and is very much invested in the space, having put her own sweat equity in over and over again (she showed us the closet where she first learned to drywall before building out all the soundproofed RocketSpace rooms). She is also invested in the community, being a currently performing musician herself. Unsurprisingly, Kate’s advice is to own all your own stuff vs. renting a building where you are dumping a bunch of money into improvements that you then have to leave behind with your lease. She was no-holds-barred about how much work it is, but she also seems to genuinely love the process and the people. And RocketSpace is very, very busy, so that doesn’t hurt a bit. Well, maybe it hurts a little, but it’s worth it. That’s what Kate would probably say.

RocketSpace

Kate dropping some knowledge on us at RocketSpace

Soundstructure Studios
Just adjacent to The Walnut Room, and having been around for 20 years, Soundstructure Studios is the established elder statesman to RocketSpace’s startup sensibilities. Encompassing two different buildings with 25 total studios, Soundstructure offers “lockout” spaces: meaning your band rents a room (which you might decide to share with another band or two), you bring all your gear right on in there, and you set up camp. And if you can manage it: you never, ever leave. Because spaces like this one are pretty much impossible to find. Built from the beginning with the magic of acoustical architecture in mind, these rooms are high-end, rock-solid and designed for silence — or at least to keep the sound contained to your space and out of everyone else’s. Double door systems, rooms with no right angles, some sort of cuts (?) in the floor to mitigate low-frequency noise … Angel and I basically lost track of the details, probably because we were both mentally adding up all the dollar signs that were required as an initial investment. That said: owner (and drummer, of course, like all good sages) John Burr, after a couple of decades of business, was hard-pressed to tell us what the “biggest nightmare” is in terms of managing the space currently. The rooms are constantly booked. No marketing required. An hour or two here and there, mostly in the processing of monthly rents, the occasional bit of wear and tear? John seemed so chill about the whole thing that we started to believe that we could be, too. Someday. But not without some serious upfront stressors (see “mind boggling initial investment”). Then again: maybe money does change everything.

Soundstructure

The unflappable John “Jedi Knight” Burr opens the first of many doors to show us around Soundstructure Studios.

Francisco Studios
Our final stop on our Denver day tour was at Francisco Studios, which apparently is a franchise of sorts, with locations in Los Angeles, Phoenix and Tucson as well. Our intended tour guide kinda forgot he was supposed to meet us (to his credit, when he realized later, he was extremely gracious and utterly mortified), but undaunted, Angel and I asked a freshly arrived musician/space renter if he’d let us in to try and find someone to show us around. Turns out said musician became our tour guide, which was perfect, because we got some insight straight from the source. Francisco Studios is a HUGE building, with 50 rehearsal rooms arranged in an eerily familiar labyrinth that felt so much like a junior high school that we were convinced that’s what it used to be (when Angel finally talked to the space manager, Kreston, he explained that no, the building was built that way on purpose). The overall result — lockout room upon lockout room, stretching down long hallways, with no real sounds or movement. (Other than the sound of musicians practicing inside the rooms, unfortunately — yes, the rooms are soundproofed, but only … sort of. Our new musician friend just shrugged and said, “yeah, you can totally hear other bands practicing, but what’re you gonna do?” John and Kate would tell him in a heartbeat). As for the ambience in the building, Angel flatly declared it “creepy as f*ck” and the musician kid confessed to freaking himself out there sometimes, but then chalked it up to smoking too much weed. Check out our slasher flick, A short stroll through Francisco Studios. Really, though, once inside the rooms, it was way less spooky and pretty basic. And the bottom line: busy. Just like all the other rehearsal spaces.

What We Learned
Hard to say what impact our tour day had on us, other than it gave us hope for the future, and a whole lot of ideas for what to consider when it’s time for permanent space. We connected with perfectly lovely people who are making it work, we visited spaces that are at capacity, that are secure, (mostly) soundproofed, and yes, bathroom-rich. We got to feel like we’re on the right path even though the next step seems like it might require a divining rod. Not a bad day in Denver. Now: back home, to the task at hand.

P.S. Speaking of the task at hand, Ian got to perform his highly serious, patented “clap test” at RocketSpace. A+!

ianclap

insert off-color joke about the clap here

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